Urmila Seshagiri, an assistant professor in the Department of English, recently published Race and the Modernist Imagination (Cornell University Press). Here is what Cornell University Press said about the book:
Race has long been recognized as a formative element of American modernism, but its role in England is less clearly understood. While critics have examined race in the works of British writers such as Kipling, Conrad, and Forster, they have done so mostly from a postcolonial perspective. In Race and the Modernist Imagination, Urmila Seshagiri finds that race—as a matter apart from imperialism—served as an engine for the creation of new literary forms by a wide range of writers, including Oscar Wilde, Ford Madox Ford, Katherine Mansfield, Rebecca West, and Virginia Woolf. In Seshagiri’s view, race provided these writers with a set of tropes and plots that rejuvenated the British aesthetic tradition: new ideas and fresh forms found their way into British literature through characters and settings that evoked other peoples, other places.
In addition to her readings of a fascinating array of works—The Picture of Dorian Gray, Heart of Darkness, The Good Soldier, To the Lighthouse, Orlando, and the short stories of Mansfield and West—Seshagiri considers examples that fall outside the usual purview of British modernist literature, such as Sax Rohmer’s Dr. Fu Manchu tales, the avant-garde review BLAST, and Vita Sackville-West’s travel writings. Throughout, she places her subjects within their social and cultural contexts: British Chinatowns, avant-garde cabaret clubs, exhibitions of African art, and dance performances by the Ballets Russes. Seshagiri’s interdisciplinary study reveals a common core of race in the modern imaginary and, more broadly, establishes race as a crucial concept for understanding the cultural field of modernity.
Seshagiri teaches British modernism, postcolonial literature and theory, and Asian American literature and film.
Race and the Modernist Imagination. Ithaca: Cornell University Press (2010).
“Orienting Virginia Woolf: Race, Aesthetics, and Politics in To the Lighthouse.” Modern Fiction Studies. Vol. 50(1) (2004): 58-84. (Recipient of the 2004 Margaret Church Modern Fiction Studies Memorial Award.) Reprinted in Virginia Woolf: An MFS Reader, edited by Maren Linett. Johns Hopkins University Press: Baltimore (2008).
“The Art of Exploration: Papers from the 15th Annual International Virginia Woolf Conference.” Guest editor, with Rishona Zimring. Literature Compass. Oxford: Blackwell Publishing Ltd. (2007).
“Introduction: Virginia Woolf and The Art of Exploration,” co-authored with Rishona Zimring, Literature Compass 4(2) (2007): 470-472.
“Racial Politics, Modernist Poetics,” Modernism. Eds. Astradur Eysteinsson and Vivian Liska. Amsterdam: John Benjamins Publishing Co. (2007). Pp. 573-589.
“Modernity’s (Yellow) Perils: Dr. Fu-Manchu and English Race-Paranois.” Cultural Critique, Vol. 62 (2006): 162-94
“Modernist Ashes, Postcolonial Phoenix: Jean Rhys and the Evolution of the English Novel in the Twentieth Century.” Modernism/Modernity, Vol. 13(3) (2006): 487-505.
Visit the Quest Gallery at Trace, UT’s digital archive, to access publications of other Quest Scholars of the Week.Tags: English • Modern Foreign Languages and Literatures • Urmila Seshagiri